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书刊杂志印刷对色系的要求和设计
作者:admin 来源:http://www.sdhzyw.com 发布时间:2017-10-16 16:57:55 浏览次数:603

济南书刊杂志印刷质感的对比.在一般人的日常生活中,也许很少听到质感这句话,但是在美术方面,质感却是很重要的造形要素.譬如松弛感、平滑感、湿润感等等,皆是形容质感.故质感不仅只表现出情感,而且与这种情感融为一体.

In contrast to the Ji'nan print books and magazines. In the texture of the daily life of the ordinary people, perhaps rarely hear texture of this sentence, but in art, the texture is very important influential factors. For example, a sense of relaxation, smooth feeling, moist feeling and so on, are described. The texture texture not only show emotion, and this emotional integration.

1、粗细的对比.字体愈粗,愈富有男性的气概.若代表时髦与女性,则通常以细字表现.细字如果份量增多,粗字就应该减少,这样的搭配看起来比较明快.

1, the thickness of the contrast. The thicker the font, the more masculine masculinity. If representative of fashion and women, usually in fine words. If the size of the word, the coarse words should be reduced, such collocation looks more lively

2、大小的对比.大小关系为造形要素中更受重视的一项,几乎可以决定意象与调和的关系.大小差别少,给人的感觉较沈着温和,大小的差别大,给人的感觉较鲜明,而且具有强力感.

2, the size of the contrast. The relationship of size is a plastic elements in the most valued, almost can determine the relationship between imagery and harmonic. The size difference is less, give people the feeling is a warm Shen, the size of the difference is big, give people the feeling is distinct, but also has strong sense.

3、位置的对.在画面两侧放置某种物体,不但可以强调,同时也可产生对比.画面的上下、左右和对角线上的四隅皆有潜在性的力点,而在此力点处配置照片、大标题或标志、记号等等,便可显出隐藏的力量.因此在潜在的对立关系位置上,放置鲜明的造形要素,可显出对比关系,并产生具有紧凑感的画面.

济南书刊杂志印刷多少钱

3, the position of an object in the picture. Placed on both sides, not only stressed, but also can produce contrast. The four corner and around the diagonal of the screen from top to bottom, there is the potential for the point, and this point of deployment of photos, title or mark, mark and so on, can show the hidden power. Therefore in the potential relationship between position, place form elements distinct, show contrast relations, and has a compact sense of the picture.

4、主与从的对比.版面设计也和舞台设计一样,主角和配角的关系很清楚时,观众的心理会安定下来.明确表示主从的手法是很正统的构成方法,会让人产生安心感.如果两者的关系模糊,会令人无所适从,相反地,主角过强就失去动感,变成庸俗画面.

From the 4, and the main contrast. Layout design and stage design, the relationship between the protagonist is very clear, the audience will settle down. The technique is a clear master-slave approach is legitimate, will make people feel at ease. If the relationship between fuzzy, may lead to confusion, on the contrary, the protagonist is too strong to lose feeling, a vulgar picture.

5、明暗的对比.阴与阳、正与反、昼与夜等等,如此类的对比语句,可使人感觉到日常生活中的明暗关系.初诞生的婴儿,更初在视觉上只能分出明暗,而牛、狗等动物虽能简单识别黑白,可是,对彩度或色相却无法轻易识别,由此可知,明暗﹝黑和白﹞乃是色感中更基本的要素.

5 contrast of light and dark. Yin and Yang, positive and negative, day and night and so on, so the statement of contrast, can make people feel the light and shade relations in daily life. At the beginning of the birth of the baby, first in the vision can separate the light and shade, and cattle, dogs and other animal can identify simple black and white, but the chroma or hue but cannot be easily identified, therefore, light, black and white, is the most basic elements of color sense.

6、曲线和直线的对比.曲线很富有柔和感、缓和感;直线则富坚硬感、锐利感,极具男性气概.自然界中,皆由这两者适当混合.平常我们并不注意这种关系,可是,当曲线线或直线强调某形状时,我们便有了深刻的印象,同时也产生相对应的情感.故我们常为加深曲线印象,就以一些直线来强调,也可以说,少量的直线会使曲线更引人注目.

6, curve and linear contrast. The curve is very rich downy sense, a sense of ease; straight line is rich, very hard sharp sense of masculinity. In nature, the appropriate mix all by both. Usually we do not pay attention to this relationship, but when the curve or straight line emphasizes a shape, we will have a deep the impression, also produces the corresponding emotion. So we often in order to gain curve impression by some straight to emphasize, it can be said, a straight line to make curve more compelling.

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